I am in no way saying that both Suri and Ved have the same motivations. A feeling of letting go, where he seemed to have finally found his dil ki aawaaz. At another point in Tamasha, Ved runs out on the streets of Simla, and meets a procession, and starts dancing like a dervish, immersed in his new found freedom. Ved learns that he does not need to be a lakeer ka fakeer if he feels suffocated, and he can follow his passion of telling stories. At one point in Rab Ne Bana Di Jodi, Surinder says that he can change himself completely to make Tani happy but he will not change himself to get Tani's love. I don't think either film is advocating that any side is necessarily better, but the essential message of both films is to learn to be comfortable in your skin, and not lose your identity in the process. In the end, Surinder and Ved's alter egos triumph. Ved, on the other hand, is fascinated with stories, and imagines himself to be in those stories. When Surinder watches films in theaters, he identifies the characters on the screen that are like him.
#Telecharger film rab ne bana di jodi motarjam free#
Don is free sprited, no one can capture him, he talks to the mountains, he drinks water from ponds like a creature of the wild. In contrast, Ved's alter ego Don is an exact opposite of Ved. His routine is so mundane that he holds the elevator door for the same lady every single day. He wakes up, brushes his teeth, eats the same breakfast everyday. Likewise, in Tamasha, Ved's daily job is like Surinder's. I wonder whether the ease with which he is able to take up the role of Raj, perhaps, he always had this side to him, but he never showed it to anyone. In order to make her happy, he takes up the role of someone who is his exact opposite-loud, brash, and fun-Raj. He goes on his mundane job daily, but as soon as he sees Tani, he falls in love with her. He has always been a good man, and someone who actually fits the description of an ideal child on those kitschy aadarsh balak charts. He works in Punjab Power, but there is nothing powerful about him. In Rab Ne Bana Di Jodi, Surinder is mousy, and timid. Then, he begins his journey of self-realization. She tells him that he is suffering from a complex. They agree to date, but soon Tara realizes this is not the Ved she fell in love with. The point of conflict between Tara and Ved is this dual personality of Ved, where Tara is in love with the Ved whom she met in Corsica, while he thinks he was only playing a role then. He introduces himself as Ved as a product manager in a firm. Four years later, she looks for him in a cafe hoping that she will bump into him. But as it happens, Tara falls in love with Ved. Whatever happens between them in Corsica stays in Corsica. They decide that they'll never meet again post their holiday romance. He says he is Don, while she says she is Mona Darling. They decide to spend some time together, without revealing their true identities as to who they are in real life. He meets Tara Maheshwari (Deepika Padukone). Tamasha is essentially the story of Ved Vardhan Sahni (Ranbir Kapoor).
Curiously, it struck me that not only that both these films have the same theme of two different personalities of the same person, but also have many other similarities. I had recently watched Imtiaz Ali's Tamasha, and was still in the thinking temporal zone that an Imtiaz Ali film leaves us with. Last month, Aditya Chopra's Rab Ne Bana Di Jodi completed seven years of its release. These films are often comedies, or psychological thrillers. In Vijay Lalwani's Karthik Calling Karthik, Karthik (Farhan Akhtar) suffered from a split personality disorder where he called himself in the middle of the night. In Hrishikesh Mukherjee's comedy of errors Gol Maal, Amol Palekar takes us on a joy ride by creating two versions of himself to dupe his boss. Interestingly, there have also been films with the concept of two different personalities of the same person. In Rakesh Roshan's Kaho Naa Pyaar Hai, Sonia (Ameesha Patel) summed it up perfectly when she said that she feels tortured when she sees Raj (Hrithik Roshan) as his face reminds her of her dead lover Rohit (Hrithik Roshan). He thinks that he is in love with Datto, but it is somewhat clear that he is in love with Datto's face that reminds him of his wife. Rai's Tanu Weds Manu Returns, Manu (Madahavan) splits up with his wife Tanu (Kangana Ranaut), and meets Datto (Kangana Ranaut) who bears a striking resemblance to his wife. A conflicted Viren is struggling to understand if he is in love with Pooja or Pooja's face that is a carbon copy of her mother Pallavi. In Yash Chopra's Lamhe, Viren Pratap Singh (Anil Kapoor) falls in love with Pallavi (Sridevi) after her death, Pallavi's daughter Pooja (Sridevi) falls in love with Viren. Hindi films in the past have often explored the theme of two different people with the same face.
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